(1992)

"Trapped in time.  Surrounded by evil.  Low on gas."

The last in the trilogy of "Evil Dead" films takes Bruce Campbell's character, Ash, into 1300 A.D., in an even more over-the-top (if you can believe that's possible - well, anything is possible with Sam Raimi) adventure. He has to fight  "Deadites", to retrieve the Necronomicon, so he can return home.  As always with Sam Raimi/Bruce Campbell collaborations, the result is endlessly quotable, with favorite sound bites being the classic "This is my BOOMSTICK!"

The film is basically a very simple plot centered around medieval-themed action sequences. The shoot proved to be overwhelming in many unexpected ways, the stunts and fight scenes, which take up the bulk of the film, proving to be problematic, originating with Campbell's lack of any horseback riding experience.  Horseback riding, staff, and sword lessons were necessary.

"Army of Darkness's" original running time was 96 minutes long, with a depressing ending - the final version is 81 minutes, with a happier finale. In addition, Bridget Fonda, a fan of the series, asked for a small role and portrays Linda, Ash's girlfriend - her part was created for the new beginning and ending.

The long-time friends (they met in high school) and collaborators Raimi and Campbell were given a much larger budget, after the success of the film "Darkman", and included many more stunts than before, testing Campbell's patience, physical strength, and agility. As Campbell himself says in his book "If Chins Could Kill - Confessions of a B-Movie Actor", it "became an awkward challenge of reconciling high school with Hollywood." Fight scenes were carefully choreographed, including a battle with skeletons - an obvious homage to Ray Harryhausen's classic scene in "Jason and the Argonauts" (1963).  It's a fun film full of great one-liners, as were the first two films in the series.

"Army of Darkness" is screening as part of the Cool Classics at the Colony series (proudly presenting 35mm for all their films, with classic trailers before the show) and will be showing on Wednesday, March 21st, at 7:30pm at The Colony, at 5438 Six Forks Road, Raleigh, NC. (919) 856-0111.  Tickets are $5.50 at the door (The Colony is cash-only).

Dead Ringer

(1964)

"Mirror, mirror, on the wall, who's the fairest twin of all?"

Nobody in film has yet portrayed evil bitch, and sometimes crazy evil bitch, as well and as often as the late great Bette Davis, as evidenced by such films as "Of Human Bondage", "Whatever Happened To Baby Jane", and "The Nanny", just to name a few that come immediately to mind. Capable of spitting out lines such as "Ah'd luv tuh kiss yuh, but ah jus' washed mah hair" (from "Cabin In the Cotton", 1932), "Every time you kissed me, I had to wipe my mouth! Wipe my mouth!" (from "Of Human Bondage", 1934) to "But Blanche, yuh ahhh in that chair, yuh ahhhhhhh!" (from "Whatever Happened To Baby Jane", 1962), Bette Davis made a lucrative living with her hip-swinging sashaying stride and her mannerisms that still make her a favorite of drag queens everywhere.

In "Dead Ringer", Bette was once again cast in the dual role of good sister/bad sister (Edith Phillips/Margaret DeLorca) similar to her dual roles in "A Stolen Life" (1946, with Glenn Ford). Paul Henreid, her co-star in "Now Voyager" (1942) - remember him in the classic scene that involved his lighting two cigarettes and handing Davis's character one of them - directs.

"Dead Ringer"'s premise is simple: good sister impulsively tries to step into shoes of deceased bad sister in an ill-conceived move to improve her own quality of life, without thinking of the inherent consequences. In this case, as in the case of "A Stolen Life", Davis's character inherits the dead bad sister's myriad mix of self-imposed problems, but with worse consequences.

And as veteran filmgoers have realized for many years, the family dog always knows who's who.

Karl Malden, as Davis' earnest boyfriend and cop Sgt. Jim Hobbson is basically re-enacting his earnest boyfriend characterization from "A Streetcar Named Desire", and Peter Lawford, who was a real-life playboy and alcoholic, (in addition to allegedly acting as a bit of a pimp for the Kennedys, circa the Marilyn Monroe/John F. Kennedy/Robert Kennedy liasons era), plays Tony Collins...the alcoholic playboy boyfriend of the dead bad sister, Margaret DeLorca.

"Dead Ringer" was made in an era of more rudimentary special effects, so Davis's two characters interacting almost face-to-face in some scenes was quite innovative for the time, well-done (better than the obvious stand-in used for some scenes) and still holds up well.

Fun times ensue for all. Classic Bette melodrama.