The Philadelphia Story

(1940)

"You're slipping, Red. I used to be afraid of that look -
the withering glance of the goddess."

Since Katharine Hepburn is my favorite actress, it's about time I paid homage to one of her films.

The movie begins with one of the most classic scenes in film history. The audience does not know who the characters are in the first scene, and no dialogue is used. We see Cary Grant angrily slam the front door of a mansion and stalk towards a car parked out front. A moment later, Katharine Hepburn, dressed in a nightgown, follows him out, carrying a bag of golf clubs. After removing one club, she contemptuously throws the bag filled with the rest at him, haughtily breaks the one club over her knee, throws the halves at him, and stomps back towards the open doorway. Grant follows her, taps her on the shoulder...and when she wheels around, he pulls his fist back as if to punch her, but instead mashes her face in the palm of his hand, shoving her backward through the open doorway, where we next see her rubbing her neck as she sits up. The scene ends.

Cut to "Two Years Later" as the title informs the audience; the day before Philadelphian blue-blood Tracy Lord's (Katharine Hepburn) second wedding. The audience also realize that the mashee in the opening scene and the masher were formally husband and wife: Tracy Lord (Katharine Hepburn) and C.K. Dexter Haven (Cary Grant). Soon Dexter has makes a surprise visit to the Lord household on the eve of the wedding. Tracy is about to marry George Kittredge (John Howard), her stuffy and rather chauvinistic well-to-do fiance. What Tracy doesn't know at first is that Dexter, perhaps seeking revenge on Tracy, has arranged for Mike Connor (James Stewart), a writer for a tabloid-like magazine named "Spy", and Liz Imbrie (Ruth Hussey), a "Spy" photographer, to do a story on the wedding under the guise of being friends of a friend of the family. Once Tracy is informed by Dexter that she must either allow the story to be written or her father's ongoing illicit affair with a dancer will be the big story instead she consents, but Connor and Imbrie do not know that she knows who their real identities and purpose...and she plots to "really give them something to write about...we'll set them on their ears!"

The first scene where Tracy meets Mike Connor and Liz Imbrie, and practically interviews them sets the tone for the rest of the film.

To reveal more of the story would spoil it for anyone who hasn't seen the film. But in the next twenty-four hours Tracy and the others find their lives turned upside-down in an alternately hilarious and touching series of events.

Katharine Hepburn made the extremely wise move on the advise of Howard Hughes, whom she was dating at the time, of buying the film rights to Philip Barry's play - she had been a hit onstage in the role, which was written for her. Recently having been labeled "box-office poison", even being offered a role in a film tentatively entitled "Mother Carey's Chickens", it was the only way to guarantee her the role in any filming of the play. She had spent a year on Broadway in the film version, and interrupted the tour of the play to film it for MGM. For the film, she had wanted Clark Gable and Spencer Tracy for the roles of Haven and Connor. She got Grant and Stewart - hardly shabby! And better choices anyway, IMHO. Donald Ogdent Stewart took over for the screenplay adaptation, as Barry had apparently requested too much money. The dialogue is some of the best of any film of its time, and Hepburn, at her most radiant, is beautifully costumed by designer Adrian. She is at times "lit from within", as Stewart's character Mike tells her, and at other times "made of bronze" (as her father, played by John Halliday) asserts. Dinah, Tracy's young sister, is portrayed to hilarious effect by child actress Virginia Weidler, who makes her appearance to the reporter duo in ballet toe shoes, spewing French and finishing her introduction to them by manically playing and singing a lusty dance-hall song on the piano. Pinch-prone Uncle Willie (Roland Young) adds great spice and fun with his smaller part.

Side note: In the scene where Mike arrives drunk at Dexter's house late one evening, Stewart purposely hiccups to try to crack Grant's straight-faced resolve - and it works.

"The Philadelphia Story" won six Academy Award nominations: Best Picture, Best Actor (Stewart), Best Actress (Hepburn), Best Supporting Actress (Hussey), Best Screenplay (Donald Ogden Stewart), and Best Director (George Cukor). James Stewart and Donald Ogden Stewart won their nominations (Stewart's sole Oscar win), and although Katharine Hepburn did not win for this role (she lost to Ginger Rogers for her performance in "Kitty Foyle"), she received the New York Film Critics' Award. The film revived her professional reputation, was a huge success, is of course considered to be one of the all-time classics of romantic comedy, and my personal favorite of Hepburn's films of this genre.

A Boy And His Dog

(1975)

"A rather kinky tale of survival."

"A Boy And His Dog" is definately a cult classic, but defies being more neatly categorized beyond that genre. It's been labeled alternately and collectively as being "misogynistic", "the greatest Science Fiction movie ever made", "black comedy", and as a "cross between George Orwell and Mel Brooks" (the last description is my personal favorite), to list a few. Although it is true that the film is rather misogynistic, I don't find this a fault; the film is supposed to be portraying a terrible, possible future reality. And it may not be nice, folks.

"A Boy And His Dog" was directed by L.Q. Jones, a character bit actor favored by Sam Peckinpah for his westerns, and is based on the novella of the same name by Sci-Fi legend Harlan Ellison (who by all accounts loved the film version).

It takes place in the year 2024, after WWIV has ravaged the earth's civilization, rendering it into a post-apocalyptic desert where humans have become complete scavengers. A very young, relatively unknown Don Johnson (way before his days in TV's "Miami Vice") stars as Vic, a young "solo" as the loners are called, trying to stay alive in this post-atomic desert of a world. Veteran actor Jason Robards appears in a small part as a favor to Jones. Vic's companion, friend, and mentor is a sheepdog named Blood. The dog, named Tiger in real life, was a very popular animal actor of the times in addition to being an extremely well-trained and appealing performer, and also was the family dog on the TV show "The Brady Bunch."

Vic and Blood share a special bond, and the two communicate telepathically.

Don't laugh at that last remark; it's done very well in the film.

An element that could have ruined the film if not done carefully is, however, handled perfectly. Although it was suggested that animation be used to make it appear as if the dog's mouth is moving, thankfully none was used, and Tiger's masterful performance, combined with his scruffy, gravelly, world-weary, old-west voice, provided by Tim McIntire, makes for some of the best acting in the film, and also some of the best lines. Blood literally sniffs out women for Vic to have sex with, helps Vic be on the lookout for other packs of scavengers trying to kill him and each other in the ongoing fight over food and women, and Vic does the shooting and the foraging for food. In addition the two are best friends, with Blood being the most intelligent by far. It seems that in the future, people have become the real animals.

The elements of caustically dark humor and dry dialogue (the dog gets the best lines) helps carry the film. And while this is in no way "the best Science Fiction movie ever made", in my opinion, it's certainly a great one, along with others of its time such as "Soylent Green". There are practically no special effects; the scenery and sets are cheap and minimalist, letting the characters and script tell the story, for the most part. This isn't an overly-laden with special effects film like many of the ones made these days.

In case this whole scenario seems reminiscent of another, more famous film, "Mad Max", that may be because "A Boy And His Dog" inspired "Mad Max"; however I find this film to be superior.  And the ending is...well you will just have to see it.